All Worked Up at Sir Mix-a-Lot
Last night the Sir Mix-a-lot show rocked, even if the crowd sucked. I’m about to rant here, but you can skip down over it if you want to go straight to the concert review. :) So, my rant: I got really bummed out and that kind of sucked. The crowd, like the crowd at most Seattle shows I go to, was drunk and obnoxious and seemed to care little about the music and more about continuing to get drunk. I don’t mind people drinking or occasionally bumping into me while they’re drunk. I don’t mind the fluid flow of the audience at crowded shows that pretty much guarantees you’ll be in close proximity with the people around you. However, I don’t like when people feel the need to get into a huge all-out fistfight at a show, hurting bystanders and interrupting the music. I also don’t like when the crowd is so drunk the many heavy women around you keep toppling over onto you and their drunk boyfriends can barely collect them and set them upright again – it can distract you from enjoying a perfectly good show. When the drunk “dogs” in the house feel so intent on pounding their fists into the air, and in the process continually elbow the heck out of your shoulder muscles, despite your attempt to keep them at arms distance or to move away to a “safer” part of the crowd – that too can be distracting (not to mention freaking painful!!) If it was just one drunk person, you can move away. But when the whole dang crowd seemed to be so drunk, or fighting, or falling over, or oblivious to the pain they are inflicting to your shoulder, there wasn’t much of an option. A) Give up and leave the show – not my first choice since I’d bought a ticket and felt entitled to enjoy the show. B) Stay and try to enjoy the music on stage, and hope the drunks eventually mellow the heck out.
I know people have the right to drink and enjoy the music as they see fit, and I know there will always be obnoxious drunks and that’s a part of life. However, the thing that upset me more is that last night wasn’t an isolated incident. I think the majority of the live shows I’ve been to in Seattle have all had crowd issues with drunks. I used to go see 1-3 live shows every week for a while when I was living in Austin and somehow this was rarely an issue. I can still name the few shows where I had issues with the crowd.
1. Offspring back in 94 had inappropriate guys in the crowd who’d inappropriately grope female crowd surfers.
2. No Doubt told the 100,000+ person crowd to “get crazy” one show in Dallas in the late 90s and people started throwing chairs and coolers and glass bottels and there were many injuries (including my bloodied up head).
3. Aerosmith back in early 90s had an odd crowd dynamic (probably because the age range varied from about 12 yrs old to 72 years old). However, the dynamic didn’t keep anyone from enjoying the show or the experience.
Thing is, that’s only three shows over 10 years and only one show (No Doubt) made the experience unfriendly/unsafe for the general audience. If you didn’t like crowd surfing, don’t do it. If you don’t like old folks and wanted to dance around more, move elsewhere. I really can’t remember many other shows with really disturbing crowd experiences, and I went to tons of shows back in the day.
I enjoy live music. I used to work in live music. I learned to play musical instruments and even harbored dreams of opening a live music venue someday. I don’t rant because of the drunks, but because of the environment that keeps people from enjoying the live music that can be so powerful and meaningful and fun for so many people. In Seattle, my live music budget is limited but I still probably average a show a month. Sadly, a majority of the shows here I’ve had problems with the crowd. The Bob Schneider show at the Croc a few months ago had a loud, drunk guy talking through the whole set. People couldn’t hear and got so fed up they asked him to talk quietly if he wanted to talk through the show. He got louder in drunken protest. Lovely. Even at quiet sit down affairs in nicer jazz clubs, the drunks in the crowd keep people from enjoying a night out. At Tula’s a few weeks ago, a drunk women kept making calls on her cell and kept talking loudly to her date. People got fed up. Shot her dirty looks. People walked over and politely asked her to quiet down. The band themselves stopped multiple songs and asked her to quit talking so loudly. The staff asked her to quiet down. People threw stuff at her when she kept going and eventually her date decided it was time for them to leave. (Finally!)
I know I’m rambling, but here’s the point. I’m not saying people shouldn’t drink. Or should be allowed to talk. Or shouldn’t dance or any of that. I’m just saying if you want to get trashed, do it in your own home. If you want to talk loudly on your cell phone, do it out on the sidewalk and not inside a music club where you’re distracting the audience and even pissing off the band. I find it crazy these folks feel the need to pay money for live music when they totally ignore the music and their behavior diminishes the experience for others there. It’s totally inconsiderate and I’d honestly expect more out of Seattle crowds… especially for a town that’s known as “polite” and pro-music.
That said, the performances themselves were great! The opening band, As-Is, was pretty fabulous, and I’d recommend them to anyone if you get the chance to see them perform. Sir Mix-a-lot himself put on a fun performance for his hometown crowd! 206 in the house!! They were filming the show for a new DVD and if will be anywhere near as entertaining as the live show, it should be lots of fun. He hammed it up in fur coats, big hats, gold chains, and did the whole pimp daddy act throughout the show. Girls were waving their bras around. He got the camera guy to do a little filming for “Girls Gone Wild” with bare-chested women in the front row. His posse on stage had about 5-8 people at all times… one guy on the turn table, one women occasionally doing back up, but mostly lots of fun guys singing and dancing around. His music included the classics as well as a few new tunes (probably off his upcoming record that will be released this spring). The theme seemed to be sex and the crowd ate it up! The local tune “Posse on Broadway” got an enormous reaction, as did “My Hooptie,” and the finale of “Baby got back,” where he brought tons of skanky women from the crowd onto the stage to dance around and fawn all over him. It was exactly what I was expecting and it was thoroughly entertaining!